RME Babyface Pro FS

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    24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface

      SKU: 25777 Categorías: , , Marca:

      RME Babyface Pro FS

      The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4″, 3.5mm, and TRS connections).

      Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clocking, already high-quality, has been improved to provide ultralow jitter and jitter immunity. The 3.5mm headphone output power has risen from 70 to 90mW, and both headphone outputs sport improved THD up to 10 dB. Latency now has a typical delay of 5 samples AD and 7 samples DA, one-fifth of previous generations. These are just some of the improvements.

      The interface ships with the company’s TotalMix FX, a software mixer available for Windows, Mac OS X, and iOS. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from the simple mixing of signals to more complicated routing configurations.

      The unit’s FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Delay and reverb are also on hand. Achieving sample rates and resolutions of up to 192 kHz / 24-bit, the interface offers a professional recording solution in a compact form factor.

      Main Features:

      • Analog: 4 Input / 4 Output
      • Digital: 12 Input / 12 Output
      • Max Sample Rate/Resolution: 192 kHz / 24-Bit
      • Connectivity:
        • Analog Audio I/O:
          • 2 x XLR 3-Pin Balanced Mic/Line Input
            2 x 1/4″ TS Unbalanced Line/Hi-Z Input
            2 x XLR 3-Pin Balanced Monitor Output
            1 x 1/4″ TRS Unbalanced Headphone Output
            1 x 1/8″ / 3.5 mm TRS Unbalanced Headphone Output
        • Digital Audio I/O:
          • 1 x TOSLINK Optical ADAT / S/PDIF Input
            1 x TOSLINK Optical ADAT / S/PDIF Output
        • Host Connection / USB:
          • 1 x USB Type-B (USB 3.0 / 3.1 Gen 1)

       

      • +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
      • Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
      • 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
      • Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
      • 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won’t get quicker…).
      • All the above improvements were achieved without raising the units power consumption.
      • K-slot for theft protection.

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