Empirical Labs EL-P-V PUMP Knee Compressor Module

945,00 780,99+IVA

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    Empirical Labs EL-P-V PUMP: single-channel knee compressor, 8 ratio settings, AtMod function and 70Hz HP filter. For uncompromising creative audio.

      SKU: EMPL0001 CategorĆ­as: , , Marca:

      Empirical Labs EL-P-V PUMP Knee Compressor Module

      Originally imagined in 2014, PUMP is a single channel, 500 series rack mount compressor loaded with the kinds of features and performance youā€™ve come to expect from Empirical Labs. This module has serious heritage and shares family DNA with notable ELI processors including the renowned Distressor, Arousor, and Mike-E. The PUMP is destined to be a ā€œgo-toā€ processor for the creative audio pro that has a toolbox built around no compromise performance, quality, and value.

      Features

      Starting at the top, PUMP includes controls for Input Level with a clip (BAD) indicator. There are 8 selectable compression ratios from 2:1 to 20:1 and everything in between, each with their own unique curve. Independent digitally-stepped knobs provide precise recall of Attack and Release selections ā€“ including a soft Opto-Coupler style Release. PUMP has a switchable 70Hz High Pass Filter, comprehensive Gain Reduction metering, Attack Modification (AtMod) to slow the initial onset of the attack envelope to preserve more transient content for greater overall impact ā€“ with a Bypass selection to go dry.

      Ā Attack Modification

      One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen is our Arousor plug-in, AtMod is a feature never before found in a hardware compressor.

      AtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether itā€™s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.

      Specifications

      • Frequency Response ā€“ 5 Hz to 175 kHz (-3dB points).
      • Dynamic Range ā€“ 125 dB from maximum output (.5%THD soft clipping) to minimum output. Noise floor with Output on 0 is typically ā€“ 101dBu.
      • Distortion ā€“ between .0035% and 15% at 1KHz, depending on mode and settings.
      • I/O ā€“ Maximum Input before hard clipping ā€“ +22dBm, ā€œ Line Inā€ mode. Maximum Output (Mix at 0) ā€“ +28.5dBm
      • Impedance ā€“ 120k Ohm, Instrument In Mode, output impedance is less than 75 ohms.Ā  20K input impedance in balanced Line in mode.
      • Compressor Time Constants ā€“ Attack: 200Āµs to 40ms. Release: 50ms to 500ms, plus Opto setting. Stereo Linkable for stereo tracks.
      • Detector HP Filter ā€“ Switchable, fixed at 70Hz
      • Attack Modification (AtMod) ā€“ Slows the initial onset of the attack envelope allowing more transient back into the track.
      • Saturation Soft Clipper ā€“Ā based on the same circuit found in the Mike-E CompSat section.

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