Antelope Edge Solo: Large-Diaphragm Cardioid Condenser Microphone for Mic Emulation Modelling
Single-capsule large-diaphragm condenser modeling microphone for cardioid vintage mic emulations – get instant access to 18 iconic microphones in one body with Antelope Audio’s cutting-edge Modeling Engine technology
The Edge Solo Synergy Core features a low self-noise, high SPL and a 6-micron gold-sputtered diaphragm. Combined with the low-resonance body and low-reflection head basket, the single capsule powers a high-performance microphone capable of delivering ultra-fast transients, flat frequency response, and exceptional dynamic range for clean and natural-sounding recordings.
In addition to its own pristine sound, the Edge Solo Modeling Microphone has the ability to emulate 18 of the most popular mics in recording history. From classic dynamic mics to rare Tube and FET large-diaphragm condensers, the Edge Solo does it all.
To develop these emulations, Antelope Audio has worked with several revered European facilities, making rigorous measurements and testing multiple exquisitely preserved vintage microphones, as well as modern high-end classics. The 18 emulations provide the necessary sonic versatility needed to suit any voice or instrument both at home and in the studio.
The purpose of the Edge Solo, Edge Duo, Edge Quadro, and all other modeling microphones in Antelope Audio’s portfolio is to not only equip you with a variety of versatile emulations in one body, but to also expand your scope of recording abilities with features not available with conventional microphones.
The modeling engine enhances your workflow by allowing you to switch between microphone emulations with a single click during recording or post-production. The dual-diaphragm design complements this further by also enabling polarity alterations at any stage of your production. When paired with an Antelope Audio interface you can benefit from imperceptible latency while picking the best studio microphone emulation for any sound source during tracking. If you prefer, record without any modeling, and alter the sound later on with the native emulation plug-ins, compatible with any DAW or interface.
Please note: iLok 2 or 3 required to use emulations as native plug-ins within your DAW
EMULATIONS:
Berlin 47 FT – by far the ultimate kick drum microphone, with large, full-bodied sound and unmatchable low-end that’s also suitable for bass cabinets
Berlin 47 TU – modeled after “the holy grail” of tube microphones, it’s suitable for any source and any application, but its glory is mostly due to its ability to capture vocals’ presence like no other microphone
Berlin 49T – a classic male-vocal microphone for effortless tube warmth, whilst preserving musical presence
Berlin 57 – similar midrange warmth and velvety highs as its brothers the Berlin 47 and 67, but with a slightly less colored response
Berlin 67 – the perfect choice for the drum-overheads and other sharp instruments that might need softening
Berlin 87 – a classic on vocals and acoustic instruments that need extra brightness
Berlin K86 – emulation of a classic German small-diaphragm condenser microphone with broad usage – heard on snare drums, piano and vocals in many hit records
Berlin M103 – a great natural-sounding all-purpose studio microphone that offers less coloration than its brother the 87, but a bigger dynamic range
Berlin M251 – an all-time classic female-vocal microphone, heard on countless records by Tina Turner, Shania Twain, Bjork, and many other legends
Berlin V563 cardioid capsule – this emulation shares a similar sound character to the legendary 47TU with its natural warmth and smoothness, yet it adds another layer of presence and sheen on top
Hamburg 441 – the perfect choice for guitar cabinets and snares, able to capture detailed upper mids in high SPL applications without ever sounding harsh
Illinois 7B – its applications vary from kick drums, bass cabs, and vocals (both live and in the studio), but it’s most well known as the “radio mic”, because of its ability to capture incredibly deep low-end on voice-overs and speech
Illinois 57 – one of the most recognizable all-purpose microphones ever build – often finding its place for close-miking drums or guitar cabs
Minnesota 20 – a familiar large and full low-end making it suitable for kick drums, bass cabs, and male vocals
Tokyo 800T – a classic hip-hop and pop large-diaphragm condenser mic that has become the favorite for Drake, Justin Bieber, and many other artists today
Vienna 12 – the original sits at the top of the dream list for many pros, who consider it the holy grail of vocal and brass microphones
Vienna 112 – a staple of every live room with a drum kit, with a tight low-end and plenty of attack
Vienna 414 – the ideal choice for drum overheads, acoustic instruments, and other airy sources
FEATURES:
Large-diaphragm condenser mic delivering high-resolution audio
18 classic mic emulations with stunning tone-shaping abilities
Cardioid pickup polar pattern
User-friendly software allowing for speed & efficiency