Focusrite Red 16Line 64×64 All-In-One Interface

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    The Focusrite Red 16Line is a 64-in/64-out audio interface delivering uncompromised sound quality from its Red Evolution mic preamps and 16 analogue I/O, providing up to 121dB dynamic range and ultra-low round trip latency. Future proofed connectivity options include Pro Tools | HD, dual Thunderbolt 3 ports and Dante expansion over Ethernet for networked audio.

      REF: FOCRED16L64X64 Categorias: , , , Marca:

      Focusrite Red 16Line 64×64 All-In-One Interface

      64×64 All-In-One Interface, 32×32 Dante I/O

      The Focusrite Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it’s now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.

      The Easiest Way To Work In Pro Tools | HD™ And A Second DAW

      Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it’s now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.

      Focusrite’s Best Conversion

      High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.

      Revolutionise Your Workflow

      Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the Focusrite Control software mixer) or playing back, with all your plug-ins in place, all the time.

      Extensive Analogue I/O

      The Focusrite Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.

      Two Amazing Preamps

      The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name Focusrite give to the sonic signature of the classic transformer ISA preamp.

      Networked Audio-Enabled Out Of The Box

      With dual-port Dante™ connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

      Main Features:

      • Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
      • High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
      • Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
      • 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
      • Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
      • Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
      • Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
      • Dual-port Dante card for more channels at higher sample rates
      • Three LCD displays for highly accurate level metering
      • Focusrite Control software mixer for setting up monitoring and routing configurations, with remote control of preamps
      • Two discrete high-fidelity headphone outputs
      • Connect multiple digital sources using word clock I/O and loop-sync I/O
      • Two instrument inputs on the front panel
      • AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

      Specifications

      SYSTEM REQUIREMENTS

      Other Internet connection for downloading and installing software and driver

      SIMULTANEOUS INPUTS & OUTPUTS

      Channel Count Up to 64 x 64

      MICROPHONE INPUTS

      Gain Range 0-8dB to 63dB in 1dB steps

      Type Electronically Balanced, Zin = 20kΩ

      Max. Input Level >+19dBu, min gain

      Frequency Response 20Hz – 35kHz ±0.2dB

      THD + N -102dB (0.0008%) @ -1dBFS

      EIN <-129dBu ‘A’-Weighted (typical)

      Signal-To-Noise Ratio 119dB ‘A’-Weighted (typical)

      Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB

      Phantom Power +48V, independently switchable per channel.

      HPF High-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

      Air Mode 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO

      LINE INPUTS 1-16

      0 DBFS Reference Level +18 or +24dBu (switchable)

      Line Inputs 1-16 0 DBFS Reference Leve +18 or +24dBu (switchable)

      Line Inputs 1-16 Type Electronically Balanced, Zin = 20kO

      Line Inputs 1-16 Frequency Response 20Hz – 35kHz ±0.2dB

      Line Inputs 1-16 THD + N -102dB (0.0008%) @ -1dBFS

      Line Inputs Signal-To-Noise Ratio 119dB ‘A’-Weighted (typical)

      Line Inputs 1-16 Common-Mode Rejection Ratio 50/60Hz CMRR: -70dB

      INSTRUMENT INPUTS

      Instrument Inputs Gain Range 0-8dB to 63dB in 1dB steps

      Instrument Inputs Type Zin = 2.3MO

      Instrument Inputs Max. Input Level >+15dBu, min gain

      Instrument Inputs Frequency Response 20Hz – 35kHz ±0.2dB, min gain

      Instrument Inputs THD + N -100dB (0.001%) @ -1dBFS (@ 11dB Gain)

      Instrument Inputs Signal-To-Noise Ratio 117dB ‘A’-Weighted (typical), min gain

      Instrument Inputs HPF -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel

      Instrument Inputs Air Mode 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)

      LINE OUTPUTS 1-16

      Line Outputs 1-16 0 DBFS Reference Levels +18 or +24dBu (switchable)

      Line Outputs 1-16 Frequency Response 20Hz – 35kHz ±0.2dB

      Line Outputs 1-16 THD + N <-104dB (0.0006%) unweighted, 20Hz – 20kHz; -1dBFS input

      Line Outputs 1-16 Dynamic Range 121dB ‘A’-weighted (typical), 20Hz – 20kHz

      Line Outputs 1-16 Output Impedance Nominal output impedance = 136O balanced (68O each phase)

      MONITOR OUTPUTS

      Monitor Outputs 0 DBFS Reference Levels +18dBu

      Monitor Outputs Frequency Response 20Hz – 35kHz ±0.2dB

      Monitor Outputs THD+N -80dB (0.01%) unweighted, 20Hz – 20kHz; -1dBFS input

      Monitor Outputs Dynamic Range 120dB (A-Weighted)

      Monitor Outputs Output Impedance Nominal output impedance = 136O balanced (68O each phase)

      HEADPHONE OUTPUTS

      Headphone Outputs 0 DBFS Reference Levels +16dBm ± 0.5dB

      Headphone Outputs Frequency Response 20Hz – 20kHz ±0.2dB

      Headphone Outputs THD + N <-75dB (0.018%) unweighted, 20Hz – 20kHz

      Headphone Outputs Dynamic Range 114dB ‘A’-weighted (typical), 20Hz – 20kHz

      Headphone Outputs Output Impedance 10O

      Headphone Outputs Headphone Impedance 32O – 600O

      MICROPHONE CROSSTALK

      Mic Input To Input < -80dB; 20Hz – 20kHz (driven channel at -20dBFS)

      Mic Input To Output < -130dB; 20Hz – 20kHz (driven channel at -20dBFS)

      Output To Mic Input < -165dB; 20Hz – 20kHz (driven channel at -20dBFS)

      LINE CROSSTALK

      Line Input To Line Input < -100dB; 20Hz – 20kHz (driven channel at -20dBFS)

      Line Input To Output < -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

      Output To Line Input < -150dB; 20Hz – 20kHz (driven channel at -20dBFS)

      OUTPUT CROSSTALK

      Output To Output < -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

      HEADPHONE CROSSTALK

      Headphone To Headphone < -95dB; 20Hz – 20kHz (driven channel at -20dBFS)

      DIGITAL PERFORMANCE

      Supported Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit

      Clock Sources Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master

      FRONT PANEL CONNECTIVITY INSTRUMENT INPUTS

      Instrument Inputs Channel Count 2 Channels In

      Instrument Inputs Instrument Inputs 2 x 1/4″ TS stereo jack

      FRONT PANEL CONNECTIVITY HEADPHONE OUTPUTS

      Headphone Outputs Channel Count 2 Stereo Channels Out

      Headphone Outputs Headphone Outputs 2 x 1/4″ TRS stereo jack

      REAR PANEL CONNECTIVITY THUNDERBOLT

      Thunderbolt Channel Count Up to 64 In and 64 Out

      Thunderbolt Ports 2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)

      REAR PANEL CONNECTIVITY PRO TOOLS

      Pro Tools Channel Count Up to 64 In and 64 Out (32 In and 32 Out per connection)

      Primary Port 2 x Mini DigiLink

      REAR PANEL CONNECTIVITY DANTE

      Dante Channel Count Up to 32 In and 32 Out

      Dante Input And Output 2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).

      REAR PANEL CONNECTIVITY MIC INPUTS

      Mic Inputs Channel Count 2 In

      Mic Input 2 x Female XLR

      REAR PANEL CONNECTIVITY LINE LEVEL

      Line Level Channel Count 16 In and 16 Out

      Line Level Input 2 x DB-25 connectors (AES59)

      Line Level Ouput 2 x DB-25 connectors (AES59)

      REAR PANEL CONNECTIVITY ADAT

      ADAT Channel Count Up to 16 In and 16 Out

      ADAT Input 2 x TOSLINK connector

      ADAT Output 2 x TOSLINK connector

      ADAT Channel Assignments @ 44.1 KHz, 48 KHz Port 1 = Channels 1 – 8 , Port 2 = Channels 9 – 16

      ADAT Channel Assignments @ 88.2 KHz, 96 KHz SMUXI: Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8

      ADAT Channel Assignments @ 176.4 KHz, 192 KHz SMUXII: Port 1 = Channels 1 – 2 , Port 2 = Channels 3 – 4

      REAR PANEL CONNECTIVITY S/PDIF

      S/PDIF Channel Count 2 In and 2 Out (Optical up to 96kHz)

      S/PDIF Input 1 x RCA phono socket (1 x TOSLINK up to 96kHz)

      S/PDIF Ouput 1 x RCA phono socket (1 x TOSLINK up to 96kHz)

      REAR PANEL CONNECTIVITY MONITOR OUTPUTS

      Monitor Outputs Channel Count 2 Out

      Montor Outputs 2 x 1/4″ TRS stereo jack

      REAR PANEL CONNECTIVITY LOOP SYNC

      LOOP SYNC Loop Sync Input

      1 x BNC 75O port Loop Sync Output

      1 x BNC 75O port

      WORLD CLOCK

      Word Clock Input 1 x BNC 75O port

      Word Clock Output 1 x BNC 75O port

      PSU

      PSU 1 x IEC Input

      FRONT PANEL INDICATORS

      OLED Screens 3 x Screens (menus and metering)

      DIMENSIONS

      Height 44mm/ 1.73″

      Width 483mm/ 19.02″

      Depth (Chassis Only) 340mm/ 13.39″

      WEIGHT

      Weight 5.04kg

      POWER

      Power PSU 1 x Internal, 100-240V, 50/60Hz, consumption 120W.

      HEAT PERFORMANCE

      Operating Temperature Operates at up to an ambient temperature of 40 degrees Celcius

      Fan Dual fan

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